Posts Tagged ‘photography tips’

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A different look: Meaning a bunch of different looks in the same spot.

A different look: As in a different kind of spot to begin with.

Try both of these things.
You don’t need an amazing background for good pictures… sometimes they’ll even detract from the main part of the picture which in this case was the bride.

We got the flowers, the full dress, the face and emotion and eyes and all that stuff.

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These pictures were taken late last year but I fear I might have glanced over them and never really shown them on the blog… so here they are.

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OK so i’ve photographed in rain plenty before… but something I haven’t done was shoot with the rain ONLY behind the subject but not at all in front.

See the problem is the rain can sometimes be in their face and you have too shoot a bunch of shots to make sure you have one where the rain isn’t ruining the picture . Granted these were small drops.

So we are on a sidewalk downtown logan utah under a large awning, the rain is falling just inches behind her. So it works. I can actually back up a pretty good distance and well her hair isn’t even wet. Oh but I suppose my backlight is a bit wet on the ground behind her, but like I said it wasn’t raining hard, I guess I could have used a plastic bag.

So next time I want some shots and it’s raining I’ll probably think of overhangs.

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Get a small patch of cool stuff and don’t look at it and say “Darn, I wish there were more so I can get this cool shot I have in my mind”

Realize for a moment it’s not going to happen you can’t make another acre grow real fast… deal with it.
Make what you have work to your advantage. Don’t live in what could have been. Start dealing with what you have.

In actuality this section of cool plants was plenty large enough to get the pictures I wanted.
The angle I chose was to make the plants look more plentiful, but not just that but because I didn’t have a never ending supply in the back.

This is the big reason why she’s down on the ground.
If the field were bigger or I could get up on a ladder I would have shot from on high but with her standing as well.

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Then of course I got down because we all know I love shooting in through stuff.
I also felt a nice up close portrait was in order.

Brooke asked her mother what she wanted for Mother’s Day and I’m told this is it.
Sounds perfectly understandable… I think everyone should do it.
I expect to be booked up for… forever! haha

But really I can totally understand not only does the mother benefit from getting the actual pictures but she also gives her daughter a chance to feel beautiful in front of the camera and beautiful for years to come each time she looks at the pictures.
What a good mother!

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Again not a huge section of awesomeness to play with but when you’re shooting straight down you don’t need much.

Which makes me remember to say get them in all sorts of positions (sitting, leaning, lean-sitting, you know… everything) why?
Because they’ll feel more comfortable in some than others…
(unless your style is a total posed style. Well then don’t listen to me if that’s not your style and your not intersted in bringing out their personality… move along nothing to see here)

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Backlight… Create your own, or put them in positions where it already exists.

See more pictures here

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The recap

Let me write a recap… at the beginning…
In the post I’ll tell you that stretching yourself to handle any situation, and to even embrace them will make you a better photographer.
And not just stretching yourself in photography (more specifically locations) but stretch and expand your horizons in all you do.

Finding the good, finding the beauty is an ability that goes way beyond photography and as an aspiring photographer can even be developed outside of your actual photography

Get ready for a LONG post.

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Good things happen when the sun goes down… twilight is often more exciting… and then there’s a clear evening with the stars coming out and some nice palm trees.

In this post I’d love to drive home the point:

Make wherever you happen to be work for you.
And get good at seeking out spots and SEEing the spots you’re at.

Don’t wait for the perfect opportunity… make it the perfect opportunity.

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(Above) As you see these pictures you might wonder why they call it Sunset Beach… haha

This day was proof-example, after example, of why going out with a set purpose (set picture) in mind is in many (not all) ways is retarded.
But having a “way point” can be smart.

Yes have plans… but be open to all the amazing things that surround you.

In this case we penciled in Sunset beach for sunset.
When you’re on a road trip with me you realize I’m using a pencil and that pencil has an eraser.

But beyond that when you are wherever you are… be ready to shoot them when they happen. (know how)
And be ready to SEE them.

It makes me wonder how/why those photographers who set out with one specific shot in mind do it.
That would drive me batty… and doesn’t seem like a good idea. (Open for discussion, as long as we’re trying to understand eachother)
(Though perhaps having fewer pictures would sure cut down on processing and make picking easier)

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Going back to the car to grab the tripod… low and behold, I saw the light.
I was saying to myself… how do these things like this keep happening to me?
I really couldn’t have planned the mist, the sunlight angle because of clouds, the color of the sunlight is beyond our control as we know.

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Yes I put myself in a situation where i could get back lit pictures of surfers when they came out… but I certainly wasn’t expecting this.
I can’t move this dude I’m not in charge of the posing.
I just frame it up to tell the story and wait for the elements to be in a good spot.

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This is a big example of just wandering around searching and being in the right place at the right time.
We didn’t write Hawaii 2009 in the sand but we came by literally seconds before the wave washed it away forever.
I barely had time to aim and spray fire shoot it as it got washed away.
The lighting was hardly what people aim for, but I knew that it would make it unique and that I could add back some of the contrast from shooting towards a setting sun.

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This was not planned it was a result of waiting around for other people to be ready to go and getting bored and saying… hey why not take pictures of the palm trees.
If only I had my cable release to take longer than 30 second exposures. But that’s what I could do…
and I set the White balance to 2500 kelvin to bring out the blue because the street lights were throwing off the colors.

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On this trip I discovered the joy of setting my white balance to Shady A2 to really bring out warm colors
I think any white balance could have worked for this evening and the camera itself would have been stumped with the colors of the sunset at sunset beach.
Don’t just take good pictures and call it good… add spice.

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OK obviously the above picture was taken a while before sunset colors hit… but I wanted to show the kind of waves they were looking at.
You’ll see some better pictures of waves coming up… but I take pictures to document what was going around a whole lot.

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Now planning your shots ahead of time is not a bad thing… don’t misunderstand.
I planned on being at sunset beach at sunset.
And when I got there an hour before sunset I said I wanted to  be on such and such side of the water/beach.

But the point is: Up until that time (your way-point time) and after and maybe even instead be willing to let your hunches, ideas and the light take you where they will…
Kinda like the waves of see, they go here and there and wherever the wind and tide takes them.
Yes there could have been other paths… but make the path you decided on, or were thrust into work for you

You’ll find some amazing things start to happen.
And you’ll learn to deal with (photographically) what you’re given… and not just search for what you want and always see the green green grass just beyond reach.

I’m saying both things can be good when done correctly.
But don’t wait for the perfect opportunity… make it the perfect opportunity.

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A lot of my pictures are a testament to my laziness… i was shooting sunset here and just didn’t feel like moving.
I was hoping more surfers would just walk past me. (They’ve done it in the past)
So i just sat around, not being pulled in any other way.

So I made where I was Work.
Instead of perhaps finding another better location. (Which might have been good too)

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People almost seem to refuse to take pictures when the light is not perfect for them.
I say learn how to deal with the light no matter what it’s giving you.
Use it to your advantage… take the pictures the present light situation is giving you.

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Don’t wait for the perfect opportunity… make it the perfect opportunity.
Even better if what’s been given is pretty darn nice!

Posted by scott at 17 July 2009

Category: Tips For Photographers

Tags: , ,

Thought I’d write a short little ditty about my new baby.

Sorry I’m not all detailed and didn’t include fancy screen shots and what not.
But what I lack because of my lazieness I’ll make up for with awesome detailed info.

The beginning

I bought the new 2nd gen 30″ Dell monitor. I can’t compare it to the 1st gen that is 500$ cheaper.
But I’ll compare it to all my previous monitors. old crts for ages and ages past… dozens. More recently sony 17″, samsung 22″s
And a few laptops with the biggest being the 17″ macbookpro functioning at 1920 resolution.

This thing kicks butt!

Speed & Quality – Lightroom

(MUCH MUCH MORE AFTER THE JUMP)

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LAST YEAR:

I got to my location at the SW corner of the BYU stadium for the stadium of fire at 8pm and waited 1hr until people started lighting of personal fireworks

The first actual firework went off at 10:18

I’ll be there again this year barring any unforeseen circumstances.

TIPS:

Use bulb mode and usually shoot 2-5 seconds. Shoot manual and have aperture usually f/9-13

Shoot low ISO

And the obvious… have a tripod.

A remote trigger is awesome, one that does bulb mode is superb.
But if not then use a timer and set it to like 2 seconds… a little more annoying :)

almost forgot: a lens that does internal focusing or at least locks or doesn’t creep when shooting a long shot.
Because you will be pointing up.

I usually shoot with a telephoto and focus on shapes.
Mainly because of the location I’m at.
But others tend to do cool foregrounds or backdrops.

The smoke from the fireworks can be your friend but in some cases it might be bad

Oh have a good tripod that won’t creep on you during the 2-5 second shot.

Have lots of battery because long exposure drains batteries.

This is a recap from the pictures I shot last year.

One of the cool things about fireworks is that there is no editing needing to be done on them.
Well except darkening blacks can help in some cases specially with smokey pics

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Disclaimer
I’m not the final decision or the most qualified expert on the subject but I’ll just say it as I see it.

Original Post

It wasn’t too long ago I wrote a post looking for the “Best photographer Laptop?

Time to say what I came up with.

The Winners are:

HP 18t fully loaded

-or-
MacBookPro

Both will be about the same cost.
The HP will have more horsepower and more bells and whistles when it’s loaded up.

But I must admit the MacBookPro is pretty snazzy and has some crazy good battery life and the size and weight are nice.

I don’t think the other options (dell, gateway, Toshiba etc) are that much better. To give them the nod over these two.
I could be swayed otherwise given that I haven’t had real life experience with all of them.
But for now I’d say the HP 18″ or the new macbookpro

You really need to have a large screen if you’re going to edit on the road.

And a word on that:

Laptops and Editing

Try not to Edit on the road!

in fact

Don’t edit with a Laptop!!
Particularly the SCREEN or the TRACKPAD!

Both are terrible choices!!

(Now That I’ve said my inflammatory statements I’ll continue on and say why)

For the insistent

If you insist on it being your only computer for some interesting personal reasons, OK, Fine… but understand. It’s never as good as a desktop when it comes to EVERYTHING besides portability.

Use a Desktop

I will still be using my custom built PC for editing because it’s Much much faster 
It’s consistent… I’m not moving it around into different lighting situations.
I get to use two identical monitors or 3 monitors or even 4… maximising my efficiency.
A keyboard and a mouse are a must and I’m not tempted to try to edit without them.
I use my desk and am not tempted to edit on a couch.
(For busy moms out there maybe that’s why you go with a laptop so you can edit in different rooms throughout the day. Or computers on the bus or subway)

Not As Good

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UPDATE: Tuesday’s class was a success… in my humble opinion. Great write up found here

I’m busy and stuff… so I’ve just decided if you haven’t signed up for thursday yet… JUST COME.
Leave the nice tables for those who’ve already signed up. But there will be chairs and stuff.

Also please send an email to lightroom@jarviedigital.com to list things you want me to cover in intermediate class.
I’ll try to cover them all. 

 

Intro/Beginning Class

(Those wanting the intro and the basic rundown of Lightroom)

Tuesday 14th April
7pm-9:30pm 

Intermediate Class

(Those who have used it for projects &/or gone to a previous long workshops.
We’ll be learning some tips and tricks, guest presentations and a more extensive Q&A for me and other Advanced Lightroom users) 

Thursday 16th April
7pm-9:30pm 

Advanced Class

There is no workshop or class
But we will be a monthly meetup.
Lightroom Advanced User Group Meetups – “Jarvie’s fellow Lightroom Geeks”

You must have a good deal of lightroom experience
If you want to be involved or help organize these meetups email lightroom@jarviedigital.com and specify your interest 

There is a cool special format for these meetups.

Location:
East Bay Studios
85 Eastbay Blvd
Provo, UT 84606 

How to registerFollow directions exactly

Send email to lightroom@jarviedigital.com – Or leave a comment on this blog post
Write out the following items 1,2,3,4

Email Title: “April Workshop” 

  1. Name
  2. Which class you’ll be attending (1 class only, you pick)
  3. If you want to be on the waiting list for the other class. (The one you didn’t pick.)
  4. Whether you expect to want to go in for Pizza &/or Rootbeer Floats
    5. Notes/Comments – Anything you want me to cover, thoughts, inspirations, resources, ideas! Everything else I can skim through for kicks. Or questions.

Extra: If you’ll be bringing anyone else please supply their information as well – including email 

Example:
Title: “April Workshop”
1. Scott Jarvie
2. Tuesday Class (beginning)
3. Yes (for waiting list on thursday/intermediate class)
4. Yes, Pizza (Yum Yum)
5. My question and ideas: Are you going to give away all your presets?  Have people there to talk about their experiences, share their workflow.

 

80 person Limit

… so RSVP soon. (Specially since it’s only 1 week away)

Questions?

If there are further questions please try to use lightroom@jarviedigital.com – or twitter @jarvie
I will try to refrain from doing much chatting on facebook or gmail chat about the subject to help save me some time to get pictures edited to free up time to do these workshops. 

FAQ

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WARNING: LONGGGG yet Informative Post

Part 1 : Keeping the camera Clean & About Festival

Part 2 : A run down of the events & how to approach as a photographer

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RE-Edits
I’m including on this informative post new pictures or new edits on old pictures.
So I guess we can say we get to see some never before seen footage from last year.

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Lots of interest

Well it appears there is enough interest when i posted my last blog
I think Holi: Festival of Colors will be well documented this year.
Please respond to let me know what you think of the information I provide in this Book-Post

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Since the post was too long I had to divide it up into Two parts

Part 1 : Keeping the camera Clean & About Festival

Part 2 : A run down of the events & how to approach as a photographer

What to expect and Do – A picture story

  • I got there 1hr early last year.
  • Lines for the colors prior to the event are very long… but those aren’t the lines to get into the event… just to buy bags of colored flour.
  • I got a feel for the surroundings
    I took pictures of the animals.
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Lines for colors can be very long but that doesn't mean you need to wait in them... that's just for buying color

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I recently did a workshop at PhotoCamp Utah
We discussed in a short 45 minutes how to increase the effeciency at which we edit.

In preperation for the class I asked 4 other photographers at all ranges of ability to submit their WORKFLOW

Each Day – See and compare

I the next few days I will post each of these workflows.
You will be able to see the differences and similarities.

Submit your own

If you’d like to contribute please write up your workflow and we’ll add it. jarvie@jarviedigital.com

We will start with my present workflow.

Scott Jarvie

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First of all… if you’re in Utah and have the evening off…

You must make sure you make it to

Holi: The Festival of Colors

Here is the Full gallery on Smugmug

Here is a facebook event with more info about it.

Created by my friend Shawna Brabant

Here is the official event page of the Sri Sri Radha Krishna Temple

Here are 3 galleries i made from last year

BEST OF (50): http://jarviedigital.com/OtherJobs/08/holi-o/

SELECT (140): http://jarviedigital.com/OtherJobs/08/holi-s/

FULL (523): http://jarviedigital.smugmug.com/gallery/4846545_yiSjD

Here was the blog post from a year ago

To my photographer friends out there… Go… if you dare.

I’m not saying it’s easy or totally safe for your stuff.

But i do say it’s an amazing opportunity.

If there is enough response here on the blog comments I’ll add a post about how I kept my D300 safe.

But that will be a prize for their being lets say 10 people asking. haha

Tricky… i know

But this is more or less could happen… and didn’t happen to me :)

Of course I didn’t really bring in that lens.

BEFORE

AFTER

I know other photographers do things way different… I know and respect and understand… let me explain my way for a moment or two

My goal is often to mix great art, making someone look good and showing off who someone is.

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This of all the pics is Kambria’s smile to me. The real one.

I can be lazy i know this… and most others know this.
OK so I’m a tad lazy sometimes and that’s what leads to a lot of this style.
I know how to do a bunch of things with lighting… but i don’t often do it.
I stick to easy lighting situations and simple techniques.

But there’s a reason…
thing is my style doesn’t really allow for some of this fancy stuff.
It’s a whole experience being around me… I usually want happy faces and good experiences.
Or for them to feel like they can be creative.

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I set up the shot… i picked the background… i got the camera set. But she did the moves.
I told her “look here”… or “look to your right” – she picked the rest… and i thought she did good. And since she did it herself… it’s much more likely to be something that is who she is.

My style??
Well I’d like to think that what I offer is a very fluid interaction and that people so often feel very very comfortable around me.
Even those that aren’t into pictures… they become into it. Or at least have a non-painful time.

My style is bringing out their style…. facilitating their ability to come up with ideas and make them their own.

This leads to more pictures.
Sure i could pose them and put their head and hands right in the perfect spot… but each time i do that we just lost 10 more pictures… at least.

Sure I personally have a distinct way of shooting and a look to my pictures… and I have poses that i fall back on. But each time they get to put a flare on those… as i get to put my own flare on concepts I’ve done before.

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Quantity
So, i suppose i go for the quantity approach.
People love that i take lots of pictures in so many styles and views.
They certainly get their bang for their buck when they walk away with 100+ good pictures of themselves.
And it also increases the odds of ones they absolutely love.
See the thing is we might have an idea in our mind and work super hard to make that spot and that lighting perfect. But it doesn’t always assure that is what the client loves the most.
So often they love the moment. They love their expression, they love the memories associated with that moment. Or perhaps they just like another spot a bit more. They might prefer a picture of a lesser quality than the one you made look imaculate. And it just takes exploring and playing around to find that spot.

It’s so interesting to see what someone likes in the end and finding out why they like it.

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This girl loved these little piglets… she’s going to love these series of pictures.

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Email from a follower:
Hey Scott! Since we first talked last year I’ve been keeping up with your shoots and studying them to see what the difference is between yours and mine. Because your’s have a completely different look to them! And they’re totally awesome by the way!
Besides general style of shooting, I’ve realized it’s the color and feel to the picture. So I have a couple questions!
First of all, what camera(s) do you use? What lenses do you use most often?

Do you use Photoshop or Aperture? I’m looking into getting Aperture and wanted to know how it is compared to Photoshop but I don’t know anyone out here who uses Aperture on a regular basis. Also, do you shoot in RAW or jpeg?

One thing I loved about all your pictures is the super RICH color. What do you attribute that to? Is it your camera (beyond just correctly exposing the image in the first place), image format, what you do to it after, etc? 

Thanks Scott!
Jen

 

Scott Jarvie
I shoot in RAW which gives me the leniency in Lightroom to minimize shadows
I develop the picture with more contrast and usually aim for a generally brighter picture.
Believe it or not I usually don’t make changes to saturation controls.
When you up contrast it usually punches the colors anyway.

Mostly it’s the camera and the lenses and the way i shoot. Which is usually a low aperture like 2.8 or less and often with a thrown out background.

I have used everything from the d70 up to the d700
right now it’s the D700
Which means I’m able to go pretty high in ISO

So i already mentioned it but I use Lightroom
I teach it too.
But that’s hard when you’re living out of the state.
But the last one i did was recorded and perhaps I’ll put it online so more people can see.

But RAW definetly lets you pull out shadows and also a big part is it lets you up contrast without affecting the saturation too much.
Because on JPG you up contrast and I’ve seen that it messes with the saturation of the faces and stuff in a way I don’t like.
Plus JPGs have a pretty high contrast already… but it isn’t really a style of contrast I prefer.

Hope that helps to answer the questions a little bit.
I’m gonna throw this answer on my blog so more people can see and hopefully learn something knew.