The story shall be told with pictures alone.
For more of them go here: http://smu.gs/NwAOYR
The story shall be told with pictures alone.
For more of them go here: http://smu.gs/NwAOYR
This is a rundown of the highlights of the shoot
The hope of this post is that you get an idea for the flow of a photoshoot like this engagement shoot…
This was last night in SLC
All three locations we all of us not been too… in fact they were just recommended to the bride by friends and the old truck was on an ad listing.
Sunset is so dang early 5:20pm and we started a bit late so we didn’t have all that much time.
They wanted an old car to match their 50s theme… they had the idea of the broken down look.
We didn’t move the car to a place because the owner wasn’t even home when we started… so I had to make due with the neighborhood where it sat… and it wasn’t that easy, I assure you.
I’ve actually shot near here before but never in these spots. This is near my photo store pictureline.
Spot 2.1 So we started with this cool old brick building
There were tracks nearbye and they were talking about the possibility of tracks
This was a wall nearbye
This was a diner that doesn’t look like a diner outside but go inside and it’s wonderfully decorated.
“JARVIE: What about when you get Married?”
Why answer a good question with one good point when I can answer it with a full on discourse of dozens of teaching moments… so prepare yourself… get a cup of hot chocolate and prepare for the epic response to the big question.
The Famous Question
Probably the most frequently asked question I have ever been asked is this one “Who’s going to take your wedding pictures?”
A majority of clients ask me… and a lot of photographers.
Because I get asked so much… I have indeed thought about it.
Since +Sandra Parlow just asked last night on her GooglePlus profile I thought it deserved a good hearty response and not a one liner.
Before I answer the question I thought I’d touch on a similar topic
Shooting for other photographers
First of all I really LOVE shooting weddings for other photographers… I get asked frequently and it’s always fun. In fact often I’ll find myself talking outloud about what I’m doing and why and they love it. (More so on the pre-wedding-day shoots)
I know some photographers are intimidated shooting another photographers wedding… but they have been some of my favorites… I think because we seem to work together like a team combining two great visions for the images.
ALSO because one would assume another photographer can appreciate what I do.
(Not organized in order of importance… in case you’re wondering… but you’ll understand which ones are most important to me if you read through it all)
One of the integrated questions is would I want my own style or another style?
I love other styles and while I think they would be cool (and wish I could have an array) … but if I could only pick one… as braggy as it may sound I really would want the style I shoot.
It makes sense right? I’ve spent 5-6yrs developing my style of wedding photography… one would hope I went in the direction of what I like best.
What is that/my style?
As far as the pictures look at my best of weddings here on G+ there’s the look and it’s expressed over and over again in every single wedding!
With one word PERSONALITY
The shots could be technically amazing but if it lacks personality I’m personally not drawn to it. I want someone to look at that wedding picture and say that is SOOOOO JARVIE … see me and my personality.
Here’s the kicker! There are a lot of “angles” / “Views” of MY personality.
I want QUANTITY
I shoot lots of pictures because I love to… I give my clients more pictures than they know what to do with perhaps to my detriment but hey it’s what I’m drawn to and the type of clients that like that like me.
I want to show the happy go lucky side of me, the pretend-model (poser) side of me and the soft and sweet hopeless romantic side.
(This goes back to the last point I want someone that ENABLES me to show myself by allowing me to feel comfortable enough to Be Myself (as cliche as that sounds)
So yes I really would prefer lots of pictures… so I do understand the clients that ask for more and more.
Quantity means I’d want them to be Quick!!
Slow might be beneficial to the photographer but as a model it sucks the life out of things.
Quick doesn’t mean they rush… it it demonstrated best when they can capture The Moment before it goes away. They can adapt to changing circumstances without skipping a beat.
This is really part of quick… but this is something I’d look for.
Are they spending too much time checking their screen?
Heck I’ll check my screen plenty… but I feel like I do it at the appropriate times and even when I do it I can glance at it so fast that I won’t skip a beat.
But I’ve been in front of a fair share of cameras and my biggest complaint is that they start looking down at their camera when I’m still posing it up.
I admit I’m a poser… I want them to keep shooting and getting all those poses… not checking their screen between each shot… throwing the rythym off terribly.
Get it set and then shoot… then after the set up check it out… and we’ll change to do something else.
Also if you’re gonna do those tests… just do them!! Don’t get my attention and have me bring out my A-Game modeling all for some stupid test shot.
I do crazy amounts of test shots but I do them quickly and even when they’re not looking or not posing it up.
When THE MOMENT is happening the time for testing is OVER!
Can that person switch the dial to READY in miliseconds.
In fact I don’t want them to be ready when the moment is happening… I want them to be ready a millisecond before the moment starts to happen.
You might think… a photographer is creative simple because he/she is a photographer… I don’t think so.
When I think “creative” I think of the more complete phrase “CREATIVE SOLUTIONS” they can come upon any scene, any scenario any Problem and have a solution (They Create!).
Basing the solutions on experience alone is something… it’s good… but to have that real Creative mind leads to real solutions… and appropriate unique Art/Creations.
So I’d look at their ability to “think on their feet” (as the expression goes) see how it plays into it all… I think it’s at the heart of so many of the issues.
While I put more emphasis on that Creative Solutions stuff I know how experience can help.
I think that in the following situations anyone can come up with awesome pictures:
But what wedding has all of those things? That’s why it’s not about having just anyone.
They don’t and so while a photographer might show off these amazing pictures when everything was hunky dory it doesn’t mean to me that it will be the case for everyone.
So someone with experience.
Look I’m not gonna be all humble and I apologize for that in advance… but I’m very proud of my ability to think on my feet and come up with creative solutions no matter what environment I’m in.
Perhaps my pictures aren’t always the best possible pictures that someone could have taken but they are great for the situations I’m in they are great for the time allotment, the models and the lighting.
It’s not something I can really quantify and put in words … but I think one of things that sets me apart isn’t that I can take the best pictures ever… but that I can do it with total consistency. They know with no doubts that their pictures will be great. They could go for a much lower cost option and to me I think that usually means it’s a gamble… which quite honestly might totally work out for them.
Baseball-Analogy – You give the guy the major league contract and the big bucks for being able to hit that ball with the most CONSISTENCY (AVG) and who does it under the most adverse of conditions (The Big Leagues) … it doesn’t go to the guy that can hit the ball the farthest.
They don’t line up a bunch of bulked up muscle freaks and say whoever can hit this ball the farthest this once will get a 10 million dollar contract.
While for some types of photography I can see where consistency doesn’t really matter… but for weddings, events and contracted type stuff I personally think it’s one of those things that means so so much and sadly these first time brides just don’t understand the value.
So I’d look for consistency… it’s probably more important than looking at where their ceiling is (if you understand that expression)
I’ve talked about all these areas of photographic skill but Honestly it’s even more about how it all goes down that day… not even all about the end-product. (For Me)
Yes I want the end product to be good… but I’ve learned there are so many great photographers but what I would really look for is how they handle things. When they don’t have a camera against their face.
I want all of my guests to be happy, I don’t want someone who doesn’t respect every person at that reception.
I would want someone who is consientious of people and not getting in their way.
I feel like some photographers say: “the bride says I’m the most important person and that gives me licence to do whatever I want” …
I think a good photographer would be able to handle the percieved contraints of providing service and being nice and working around people and still come up with a stellar product.
Where I would get married is at an LDS Temple … most likely the one featured in the blog… it is a location that commands reverence and respect.
The type of photographer I would have would know how to approach the different locations and cultures. Doesn’t mean they would have to have already photographed there (though experience helps) but they are just the type of photographer that gets it.
They are aware.
Part of it comes back to being adaptable… so what you could take an amazing picture if you just broke a few rules and climbed up in a tree or a wall you weren’t supposed to be in/on.
Show me what you can do while still being respectful.
I mean, it doesn’t mean I’d want a total prude… but someone that understood the environment and the conditions.
Also how well do they adapt to the small little subculture of my family and friends... do they get along with them? Or do they stick out like a Sore thumb. (Sore emphasized)
I don’t want a stiff suit (that’s not ME nor my family) they have to be like an old friend to me and the whole crew.
Formal isn’t my style nor would it be the style I’d want in my photographer.
Consistency of character
I feel like I talked at length about consistency in their photography skills… then I talked at length about how they interact with me and my friends and family.
I mentioned I’d gravitate more towards a person that helped me have happy memories that accompany those beautiful pictures.
That goes before and after the big day.
I want to like interacting with that person years before and years after… I don’t want to look at the picture and think about how that dang photographer turned out to be a jerk, how he or she treated me badly years down the line.
I don’t want memories associate with anything negative if I can help it… I want to look at the picture and feel happy, feel love.
I Don’t want to look at the picture and think about anything stupid they’ve done… how they might have turned out to be a rotten person inside and out. (They left their spouse and kids, exploited children, made a profit off of smut, killed a person… ya know… stuff)
I mean I don’t not associate with people if they go bad… I just don’t choose them to be an intimate part of my special day.
I mean we can’t really predict the future… but if we’re aiming for the stars… i can’t deny this is something that becomes part of my thought process.
I want my pictures to not have baggage. Don’t go thinking I wildly judge people. One would hope those that know me can vouch for me on this.
But there are people out there that put on a smiley face for the big day and then I hear from those photographers them talking bad about their clients all while putting on the show on the day.
Let’s just say there are a lot of good photographers… I can be picky.
I feel like this is a touchy subject perhaps because I’m talking about the character of people… so let me just say I’m sure I’m not perfect and have probably said something in the past about a client or something that makes me looks a little hypocritical… I’ll accept that but I feel like I’m getting better and I understand the importance of it all.
With that being said here’s something maybe even more touchy… part of the whole consistency of character thing comes down to me preferring to support someone I like.
Someone I get along with and want to make their life better.
Yes every person deserves to be treated well… but if it came down to it and I could only give money to one person I’m going to give it to the person that has got it together.
*Walk the Walk*
Yes it’s true… I’d be picky and I’d have high standards but I feel like it’s something I can ask for because these are all things I give at every single wedding… nothing I wouldn’t want my own clients to demand.
Would I want to EDIT the pictures myself?
Heck yes! or in other words… I don’t see why not! (I don’t see a downside to that question)
Though I understand and will support a photographer that decides to keep the rights.
I would never ever ever ever hire a photographer for my wedding that I couldn’t somehow get the files and the rights to the pictures. It just wouldn’t work for ME.
(And this is exactly why I will always give the rights to my clients… because I run my weddings as if I were the client)
Are you a romantic?
I know some photographers that do weddings because it’s good money and to them it’s just a job. (Cool… whatever)
I can say with head held high… I am a bit of a hopeless romantic.
I do love weddings, I love real love. I’m in the right job.
Do you like shooting weddings?
Look at this whole post… I would hope it’s apparent
It comes down to this: The photographer I would probably pick would be someone I have trained
I really would pick from the group of photographers that I had an intimate and perhaps key role in helping to train including many of my past INTERNS
I’ve pushed them to be great!
And like i’ve mentioned many times before what I’d look at are all those qualities that maybe you don’t see in the final product but I they are a known quantity… not a guess… not a gamble…
I would know exactly what to expect and I would hope that they pushed themselves to do their best… heaven knows I’ve pushed a bunch of them pretty hard.
Some of them have snapped but the ones with real character and guts knew where my heart was when I probably pushed them too hard, they didn’t take it personally and they became amazing. #winning
Some of them I only had a beginning role in the training… they were probably bound to do amazing things with or without me… but hey I did play a role and my assumption is that the foundations I laid were very important.
This will get me in trouble (because I’ll forget people) but you know what I’m not a politician and screw it! I’m gonna spend a moment to say how amazingly proud I am of some people I played a part in helping to teach photography.
SHOW ME YOUR FRIENDS AND I WILL TELL YOU WHO YOU ARE
(How about show me the people you helped/trained and I’ll tell you what kind of photographer you are)
Suzanne Plant and Steph Jorgenson– Good friends that I’m not really sure how much I helped but I remember doing one of my first personalized workshops with them and then doing some LR training and then just having them on shoots and then when they came to one of my weddings and decided they actually did like photographing weddings. In fact a large portion of the pictures of me on this post came from Suzanne.
Whitney & Thomas Lewis – Another set of great friends… heck they lived in the same house (basement) for over a year and we still get along great. I did their wedding years ago and then she became a professional photographer and in the first year I started dabling in having interns she came to do something akin to an internship for a short period of time. (I hope she doesn’t mind me telling this) I still remember when she came and assisted on a wedding (before the semi-internship) with me and how I came back to look through the pictures and how they were all too blurry… It just goes to show the passion and dedication she has to what she does. That means a lot… doesn’t matter where you start but the amount of dedication you have to becoming better every time. Now she’s amazing and with the two of them it’s consistently awesome.
Marco Greis – I still remember when I would get frustrated with Marco more than most interns… and I think it was because he learned and took it so well. Also because I knew he had the passion that he could use the push and turn it into something great. Many times I feel like I’m on broken glass and having to be carefull they get offended (Don’t take this to mean that I don’t try every day to become a better teacher) He put in the hours and even when I had him doing boring work. He inconvienience himself to put so many other things aside to invest in his learning. Even with a big family and probably financial difficulties while he focused on learning even when there were opportunities to put to the side his commitments to me to do paid shoots. That shows so much character.
But in a short period he is progressing so rapidly and now he’s living back in Brazil doing weddings every single weekend.
So to you Marco I just advise to back through your pictures now that I know you’re so much better and take out a lot of the old stuff because some of your stuff your doing now kicks the trash out of the older stuff… I’m talking mainly with the way you do lighting and editing.
Carissa Uribe – She was the first person to have enough confidence in my abilities to ask to do a summer long internship. I did her wedding and she’s an all around great person. I think I probably have more confidence in her abilities than she has in her own … I hope you know that i think your awesome at what you do!
Paola Gautier – Even though I don’t hear from her very often since the internship I know skill when I see it! She has always had skills and she has developed a distinct style from my that I can dig.
The Campbells are awesome at what they do, they were great interns and have progressed sooo much!
Megan Newhouse and Laurel Scott are both incredibly intelligent gals who excelled when they were interns and can kick butt at photography… Though Megan doesn’t do a ton of photography I totally trust her skills because she knows what to do because she’s just that smart. And Laurel is the latest and greatest of the interns who put in the time like no other and has confidence and skill to back it up.
Chuck Liu is a stud and though he wasn’t able to do a lot of the internship with his work schedule he was already a great photographer before he came this way… AND he’s a solid guy and fun to be around! Look at his stuff… he’s totally legit!
And then of course my sister Sara Jarvie has to be a part in some way … she’s consistently been the person I call to talk to about my ideas and projects. We kind of started our websites and lots of things right around the same time. Heck I chose JarvieDigital because she chose JarviePhotography like a couple weeks before me. But I’m happy for this.
While I only really hung out with the next two and answered questions here and there I figure either would be awesome people to film the wedding (even though they could both rock the photography) Devin Graham or Garret Gibbons … It’s been so many years I can’t even what all I did teach… but I’m great friends with them and I did Garretts wedding and Devin keeps saying I’ll be at his some day. So I’m hoping we trade or something… If Devin’s head doesn’t get so big that he forgets all us little guys 😉 While I myself have always helped and supported no matter how busy I was. haha (Yes I’m giving you a hard time)
A DOZEN OPTIONS???
Nope try dozens of options because I have become good friends with some pretty amazingly LEGIT photographers on GOOGLE PLUS
I mean I didn’t train them or anything but how hard would it be to not select some of them!!? (I’m not naming names this time haha)
A SMALL DETAIL
You must remember this is all very hypothetical because I am not engaged, nor have I ever been, in fact I haven’t even been close to getting married, I do recognize my faults like my pickyness, I’ve been really wanting to get married for the last 10 years it’s been by #1 goal to have a family but I also am not the type of person that would get married just cuz.
So don’t hold your breath on this one.
People have tried (And I’m not gonna say it’s not my fault) but it hasn’t happened yet even if I’ve bribed people saying they’d get free pictures for life if they found the one. haha
So yes my pity party is that I’ve achieved a ton of goals in life… all expect the most important one. haha
HOW I’D DECIDE
Back to the important question at hand!! -> Who would end up as my photographer?
Difficult even having options.
Well the good thing about being creative is that you don’t have to do what everyone else is doing.
I don’t have to do my wedding photography like everyone else does it.
And so what will I do in the end??
Well I got to keep something for people to look forward to and that remains a Jarvie Trade Secret… because my wedding is gonna be one of a kind.
I actually will have more problems finding a location for the after wedding Event (reception isn’t a proper term)
The spot for the wedding itself is pretty easy an LDS temple… most likely the temple pictured here.
So most likely you all need to grab a plain ticket and fly on over when it happens. Who’s coming to the party?
What other friends want to come take pictures?
BTW this is a picture I took THIS MORNING Yay
I did my workflow live on youtube
See the Full gallery of Images here
Not much else to say about these pictures… nothing else that wasn’t already talked about during the 6hr presentation/workflow.
Every hour we did something different. 2hrs in the bride and groom saw the live streaming and joined.
They’re getting married this next saturday but when I was down there for a wedding last weekend we got a lot done.
A 8-9hr photoshoot… let’s give props to the groom for holding on for that long… that’s true love!
Here’s a couple from the end of the night but I’ll next show some highlights in chronological order of what and where we went that day.
To see the rest of the images go to the gallery.
We also spent a few hours not in their wedding clothes. I might do another post of them later… but you’ll see them in the gallery above.
This was all done as part of a 9hr workflow hangout video that I did on Google+
From an hour ago… I’m recovering from the heat so I thought I’d find one of the first pictures and show it online. There are more awesome ones to come but for now here you are.
They rented a sail boat and we went out for a couple hours taking pictures.
This one below we used some flash
Now we move on to the Rehersal
Then the rehersal dinner
Then the Ice Cream social
Then tomorrow for the wedding and reception.
Here’s the situation: you’re a bride who loves photography, you want really great art work to remember your wedding, however in your searches for the perfect photographer you’re finding your budget just doesn’t allow you to get what (or who) you want.
Consider “Formals” or what is better described as: couple pictures on a separate day from the wedding.
Some call them “groomals” (because it’s a combination of the word bridals and the word groom) and many times they can be called “First Look” because that’s how it starts – Capturing the first time HE sees the bride in the dress looking stunning. (I would call that Formals with a “first look” moment)
There are always options out there for photography that can fit ANY budget. Some photographers are more expensive and some won’t charge hardly anything or will do it for free because they’re just starting.
But if you want the high quality of work with a proven track record of consistency with a style that matches your aesthetic preferences those artists can cost more. (due to supply and demand and the amount of investment the artist has put into their craft, both time and money)
I believe in the concepts:
When there’s a will there’s a way.
Thinking outside the box.
So you’re a bride and you want amazing pictures, you found your photographer but simply are not able to reach the budget for wedding day pictures… maybe doing your pictures on a prior day of just the two of you would be more beneficial.
Let’s weigh the benefits of Formals: The benefits to the photographer equates to a saving for the bride and groom
All in all when you take many (or all) of those things into considerations it’s no wonder these shoots can cost a lot less from even the best of photographers.
Does it replace wedding day photography?
NO. I sure hope people don’t read into this post that way.
Regardless of what you choose, I hope you still get pictures on your wedding day.
Why wedding day pictures are important:
Wedding Day or Formals
So why consider pre-wedding formals for couples over wedding day? You don’t.
But it might be a good option to do both… and it might be less expensive to do both.
You can have that photographer who you really love (but can’t afford to do the full wedding day) do formals and then be more OK with hiring someone more in your price range do the wedding.
Regardless of what people think of this, but it’s a fact that many people are offered free photography by friends or family members. Be that a good or bad thing.
But this is one option for the bride to be able to figure out what she wants and is able to do.
Don’t forget this awesome option:
Have your favorite photographer do BOTH. (formals and wedding day) You get all the benefits of both lists (which I listed above) with the best Art for you.
About this situation:
I have been friends with her father for a while now (he’s a long time photographer – not weddings)
I told them because of that relationship AND knowing their budget that i’d be able to work with them on their wedding cost. And even still it was hard… so I explained the concept of formals and that worked for them.
They get married on the 23rd and their budget might not be able to afford even most beginning photographers but they were able to get some beautiful pictures that document their Love and their personalities and are strong symbols of their wedding.
They got to go to their wedding location, we got to spend a lot of time focused on their pictures, more time than I would have had on their wedding day. Without the stresses of the wedding day that the bride, mother of the bride or groom have on that day.
I got to focus on what I enjoy the most focusing on the love and the personalities and I got to pick a free day that I wouldn’t have been shooting anyway.
They still want a photographer for the actual day (and we are trying to find a creative solution for me to be there) but they made the judgement call that these pictures would provide a great benefit at a great value.
You deserve the best, believe in yourself:
Let’s take on this subject for a moment because it’s something i feel sometimes people have problems with.
Often people don’t attempt to get what they really want and “settle” for what’s easiest.
Keep in mind: Deserving “the best” doesn’t mean feeling like you’re entitled to “the best” – but entails finding it and working for it.
While sometimes I pick on themed shoots for a few reasons… the truth is I wan to do more.
Mannequins for my idea… no
I’m not gonna ask my clients to dress up like alice in wonderland, a disney princess, the newest most popular movie character.
I also won’t insist they need to go with a desert, beach, stadium or race track just for the heck of it and make it very themed based on those locations.
It just doesn’t work for what I’m doing… if their friends look at the picture and ask why are you on a beach towell at utah lake having a pic-nic. You hate Utah Lake, you two have never been on a pic-nic and that’s not even your beach towell nor does it have anything to do with you or your wedding.
I don’t want a mannequin for some idea i have… “you go stand here and put your hands just like so”
I want to use the location and light and their personalities to create something that works just for them.
I create art around them… I don’t just put them into the art I create.
I know there are plenty of photographers that do this other way… and I think it’s cool and they come up with great stuff… it’s just not me.
So when I do more themed it’s because the client was also creative… and we collaborated.
What usually happens is they have an idea that they think shows off their personalities and their relationship… and I… adapt it to make it look photographically much more appealing.
That’s the way I pose… you do what you would normally do and I’ll tell you when it sucks and adapt it to make it much more photogenic.
I communicate a ton with my clients and give them what I consider lots of instructions… and yet they always tell me they feel like I didn’t pose them. That I’m not a poser.
So with themes they say:
I say: Let’s run with that… I have some good ideas that will work for that. Such as…
My photography is about personality.
I want my clients and their friends and family to say “Oh my heavens that’s so ‘Bobby and Susie’ ”
I do want to do more themed shoots
Why I have sometimes been hard on themed shoots.
Well it’s not because I’m against themed shoots or think they’re bad for photography.
It’s because I worry that people don’t do a good job of distinguishing creative direction for photographic skills.
I think a picture can be a great picture while being a poorly taken picture.
The key is to appreciate each are for what they’re worth!
Areas of impact to consider
Locations, creative ideas and selecting photogenic subjects are all GOOD things (needful things)… but then there’s that other pesky little thing… taking good/skilled pictures (light, emotion, composition, processing, the moment)
People can be praised in the picture for many items
I guess what I desire is that people can look at a picture and see where each of those skills came in.
Part of this came from thinking about typical Orange County or NYC weddings where they’re spending crazy amounts on the weddings. There is so many pretty elements on the wedding day that I worry potential clients are seeing all the pictures of the pretty things and confusing it for pretty/skilled photography. (Yes they can certainly be skilled photographers as well as pretty items/locations/subjects of course.)
I myself have been fortunate to have taken pictures of a lot of typically pretty people. I have also taken pictures of couples at nice places (a lot of LDS temples) and a few more exotic locations.
I don’t do the fancy very expensive receptions (not like OC or NYC) … in fact often I do cultural hall weddings.
I have tuned my skills dealing with mid day light and crazy colors of a church basketball court for many a reception. (I am thankful for that tough teaching)
Making up for deficiencies
You deserve it all
A client deserves all those things we can offer, good ideas, good locations and good photographic skills.
I think the Photographic Skills can make up for possible deficiencies in the other areas.
Here’s the deal on these pictures.
They had a long distance relationship.
He would fly up from California almost every weekend. He had graduated BYU and had a job in California and she was still going to BYU living in Provo.
So they said Airport and we rolled with it.
We then threw in some other pictures… Like these Memory Grove pictures.
OK let’s break down what would be a long post of pictures taken around the Notre Dame Cathedral into a few posts.
We’ll start with the pictures that were taken when we first got there. In front of the cathedral in the Plaza area and then as we walked toward the back. Later I’ll post the pictures from the park in the back and then after that a special series of pictures taken at a random red door of the Cathedral.
Then we’ll move onto the Louvre and the Eiffel Tower at night to finish it off.
One of the first things that happened was we came across a couple of ladies taking pictures of their car… I believe it was an Aston Martin.
They were busy so I didn’t want to interupt them… so I hid them behind our couple and we both just did our things.
It wasn’t all about the building itself so these are some of the only pictures with the full building in sight… most of the others just took a cool architectural aspect of the building.
We felt like one of the things we hadn’t done a ton of was Candids. So I said walk around and I’ll just snap away.
I was using the bushes there obscure the bottom and hide crowds as well.
It started to rain and they had to duck for cover at the Cathedral doors… but it didn’t last forever and after we were on our merry way.
But here’s a couple I got as they made their way there.
But not before they got stopped for some tourist pictures. (This was while the rain was still light)
We continued the walk along the side of the cathedral and used the umbrella for just a little while longer and then it was set aside for the day.
And well that’s the story of this section of pictures. Fun Times.
THE PLANNED POSTS
This is part of a longer series focusing on 7 different locations (some locations are broken down)
It really wasn’t Last Night anymore… see I quickly edited the pictures and wrote the post the day after the shoot (earlier this week) But then remembered how they were her bridals and I should be careful that he not see them…
Their wedding was yesterday so now I can post it.
Simple and Epic
This is her motto (For Pictures). Keep the location perhaps minimalistic, maybe even simple or normal, but make the pictures epic.
Ask her about it… she explains it much better… but I did get the point.
I had a couple of great helpers… they helped with carrying stuff and lighting. They walked through mud and water and they should be commended for that.
I enjoy sharing photographic knowledge and so that was fun as well. They provided some good company and helped the bride with things I don’t often do, like fixing up hair.
The bride liked a picture I did over a year ago at the Great Salt Lake with a reflection of a bride in the water. That particular shot had it’s problems (mainly due to mosquitoes) and this one would as well because of muddy, cold, snowy-ground conditions. But in reality I almost felt like I coulda gone without a jacket, it was a bit warm for this time of the year.
While that original picture from a year ago had to be done in record fast time, this time around I found myself with amble time.
Before sunset I wanted to do some differing styles of pictures. I loved the plants I saw as I came in and thought they’d match the style she was looking for and be very different. Plus they were areas that could keep her dress clean.
Keeping the dress clean was a concern of mine… why not do that and get awesome pictures at the same time. If there were no other alternative in getting of those awesome pictures I had permission to not worry. But heh… even if 75% of everything around was wet and muddy that still left 25% that was just fine. We picked planty areas and snow. I do believe she said that she got stuff on her dress because of… drumroll… her lipstick. haha
In any case I push myself each time I go out to photograph. Push the boundaries not necessarily of photography as I’m sure I have a while before that starts to happen (if it ever does) but the boundaries of what I know, what I’ve done and what I’m comfortable with. Making the next time I go out much easier to perform at that higher level, but not being complacent.
I think I found myself solving lighting problems with much more ease last night than most any previous photo-shoot. I think as this happens more and more you’ll see me take on more unique lighting situations. (together with simple ones)
However, I’d like to note A tougher lighting setup doesn’t automatically equate to a better one. (But I do love me a good challenge and i think they stir the creative juices which stir over into the other aspects of a shoot.)
OK Well on we go with another episode of the Paris Wedding Formals
This time we find ourselves still in Montmarte… First we stop outside of a Creperie for their brightly colored red wall.
Then on the way out of this area they stopped at a Biscuiterie and got some more “candid” shots.
They made sure that I got things in the pictures that would let others know that they were in Paris
Yep I frequently got down on the ground… that’s how I work. Give it a little foreground
At the end of the park near the Eiffel Tower there is a Memorial to peace. It is a great vantage point to the tower.
Being far enough away to photograph a subject this large with an unobstructed view is important to be able to use a lens like the 70-200 in order to stand back and zoom in to be able to compress the scene and give it a unique look and feel.
The framing of the couple and the tower were just great perks. Plus it was on an elevated level which allow to shoot above the park and the fences and people that are strolling about.
To get this far away made it a much harder scene to light up because my lights had to shoot farther… I therefore had to take the softbox off and go straight zoomed in flash… it was still hard being the mid morning on a bright cloudy day.
There is a lot more of the memorial that would make for awesome pictures however being limited on time we went for the pretty straight forward awesome spot.
She was pretty cold by then so we got the jacket back on her and he opted to do a couple extra pictures as we waited for the car to pull around.
THE PLANNED POSTS
This is part of a longer series focusing on 7 different locations (some locations are broken down)
OK so here it is: The first installment of the Wedding Pictures in Paris.
I write this moments before I jump in my car and head to California to do a wedding tomorrow… so the other posts will have to wait until next week.
So as you can expect one could spend all day at this location and take tons of pictures but for us this was one of 7 locations that we went to that day.
I chose a location a bit farther away so I could use both the 50mm 1.4 and the 70-200 2.8 and still have full tower in view.
When I was using the 70-200 I’d usually back aways and zoom in giving them their room and let them kinda come up with their own stuff… I had them walk to me for a couple as I laid there in on the cold wet ground… I know “what a trooper” haha
I call this time of year “Dirty Fall” and I love it. It’s when most of the leaves have fallen they’ve since been rained on and lost a lot of color except for that dirty fall kinda look.
It’s that point where it’s almost a bit more winter than it is fall but some of the colors of fall still remain.
The spot speaks to romance… so they did mostly tender, emotional and romantic poses.
So yeah there were lots of pictures to show from the this last week I spent in France. It’ll take me a while to get to them all and edited and online. I also put them on Facebook frequently.
As for the wedding pictures I took… more technically they are Wedding Formals (Some call it the blah word Groomals) But we’ll just stick to the short “Wedding Pictures”. They got married in SLC at the LDS Temple Saturday had their shin dig and flew to Paris they chilled there Sunday and Monday (honeymooning) and then we met up on Tuesday for their typical couple pictures. They really wanted awesome memorable pictures (both are photographers) and well that’s what they got.
As for the 5 other days that I took Travel Style pictures those will be located on the Envision the World blog mainly
THE PLANNED POSTS
So I’ll break it down – I’ll add a hyper link each time I post one.
(NOTE I Hope to post one before I head to California in the morning… stay tuned)
This is part of a longer series focusing on 7 different locations (some locations are broken down)
(If there are extra requests to highlight a spot or picture I’ll add those posts hereafter)
The category and corresponding URL that links to them all will be France2010Wedding
A NATURAL TIMER : Sometimes it means ALL day
Well while I did take a bunch of pictures of just the couple the event was an Engagement Party, like a reception but prior to the wedding for those in a location that won’t really be able to make it to the wedding.
Anyway I got lots of group pictures and pictures of her friends and family.
This is her best friend that came along for the trip.
Here’s most of the group for the engagement party. There were more but this si who was there during picture time.
I believe this is a niece
Haha, everyone will have varying opinions on the picture above. I like it.
Her dad made the trip over from New Mexico. He’s a talker, so this is him doing his thing.
His parents made the trip over from Utah. They were chatting and I was sitting so I made them look over at me and smile.
Flooded the room with a flash
They had the engagement party at her brother’s house. So this is her with her brother in front of his amazingly beautiful old house.